Perhaps You Will Not Find Her Common Now

Buttercup was raised on a small farm in the country of Florin. Her favorite pastimes were riding her horse and tormenting the farm boy that worked there. –The Princess Bride, book and screenplay by William Goldman

Anyone seen The Princess Bride? 1987. Robin Wright. Cary Elwes. Mandy Patinkin. André the Giant. Fencing. Fighting. Torture. Revenge. Giants. Monsters. Chases. Escapes. True Love. Ring a bell? Among my siblings, The Princess Bride is probably the number one all-time favorite movie. We can all pretty much quote the entire movie.

The designers over at Fandom in Stitches, organized by the talented Jennifer Ofenstein, are having a Princess Bride-themed quilt and stitch along. And, well, when I say the designers, I kind of mean me, too. I've tested some of the Sesame Street patterns for one of the designers and I have a handful of my own patterns over at Fandom in Stitches. But I was surprised and excited to get an invitation to design for the As You Wish Quilt and Stitch-Along.

Jennifer had the characters chosen and quilt design already laid out when block sign-ups began, but each portrait or quote block was left entirely up to the designer. I signed up for an embroidery block; Princess Buttercup's embroidery block. I had my design finished in a matter of days {it was one of the things I was doing while I was procrastinating working on P's quilt, but I couldn't tell you that because it was totally under wraps}. And then I started to dabble with a paper pieced design for Buttercup herself. No one had signed up for her and so I timidly said that if no one else wanted her, I would do it. A few weeks went by and she was still available, so I designed my first every portrait block. It is very different from houses and trees and that kind of thing.

I used this screen cap from the end of the movie and Quilt Assistant to draft the pattern. She's not perfect, but she's pretty OK. The nose was the hardest thing to get right. After I put together my test block, I made a few tweaks to the pattern, so hopefully she will go together smoothly.

The embroidered quote block for Buttercup is actually a collection of quotes. I couldn't narrow it down. After I started stitching, I realized that this was a pretty ambitious block, so I also did an intermediate and a simple version, which are both included in the Buttercup pattern.

Patterns will be released every two weeks through May 7^th. I've seen them. They are going to be fabulous. I wasn't certain whether I was going to make the quilt or not, but now that I've seen the blocks and Jennifer's awesome layouts {four-patch or book pages; I'm going with the book pages} there will be blood tonight a Princess Bride quilt at my house.

Today's post brought to you by:

It Was Supposed To Be TARDIS Blue

{Image Source}

I'll be a story in your head. But that's OK: we're all stories in the end. Just make it a good one, eh? Because it was, you know. It was the best: a daft old man, who stole a magic box and ran away. Did I ever tell you I stole it? Well, I borrowed it; I was always going to take it back. Oh, that box, Amy, you'll dream about that box. It'll never leave you. Big and little at the same time, brand-new and ancient, and the bluest blue, ever. –Doctor Who, season 5, episode 13, The Big Bang, Steve Moffat

I'm finally jumping on the Doctor Who Stitch-Along bandwagon over at Fandom in Stitches, even though I completely missed the boat {talk about your mixed metaphors. If I were really clever, I would have come up with something all time-wimey, TARDIS-y, bow-tie and fez cool. But I'm not.}. I have my patterns all printed out. I'm doing everything at half-size {4" instead of 8"} and am going to make a wall-hanging using the alternate TARDIS layout. {No. P.'s quilt isn't finished yet. This weekend. I promise. I only have a tiny bit to go on it. And I love how it is coming out. But this is what I do when I tell myself I can't work on anything else until the thing I'm currently working on is finished. Because technically speaking, thinking and planning new projects to work on is not actually working on something else.}. I even found the perfect wood-grain print fabric in TARDIS Blue. {It's an actual color. Pantone 2955C - 012C57 HEX - 1,44,87 RGB.}

So I ordered 2½ yards of it. It came in the mail yesterday. Did it not look TARDIS Blue in the swatch from the on-line listing above? Tell me that's not TARDIS Blue. It's totally TARDIS Blue. Below is what was in my package. This is definitely not TARDIS Blue.

Mr. Bug suggested dying it. Can I just say how much I love this man? He is a really great sounding board. I was actually already planning on discharging the dye from a small portion of the fabric to use to stitch the nine different Doctors on in the lower portion of the TARDIS, so that it would look like the panels on the side of the box, but give it a little bit of contrast in color. In my very quick perusal at Paula Burch's site on hand dyeing {thanks for the link, P.}, and with some fiddling around and probably an on-line dye order, it might be possible to pull it off. But sheesh. Why doesn't wood-grain print just come in TARDIS Blue already? I mean, it comes in Gray and Straw and Teal and Violet and whatever color it is that I got and about twelve other unlikely colors. So why not TARDIS blue?

Today's post brought to you by:

In the Pink: A Study in Pinwheels — Finished {and it's about time, too!}

It is easier to go down a hill than up, but the view is best from the top. –Arnold Bennett

At long last, quilted, bound, washed, blocked and folded neatly waiting for the right occasion to be used.

I finished the quilting last Tuesday. I washed and blocked it on Wednesday. It wasn't dry until Friday. And there was finally good light to photograph it today.

I'm sort of at a loss for words. The only ones that come to mind are . . . terminus . . . finished . . . completed . . . finito . . . done. Those are happy words.

There's really not much more to say anyway. I've pretty much said it all in the 2¾ years it has taken me to make this quilt. If you've been following along, you're probably as sick of it as I am  glad to see the backside of it  cheering with me. But just in case, here are links to all the posts about this quilt.
Inspired
Block One
Block Two
Block Two, Take Two and Take Three
Block Three
Block Four
Block Four, Redux
Block Five
Block Six
Block Seven
Block Eight
Goal to Finish - 2011 Ph.D Challenge
Name, Label and Quilting Sketches
Getting Started with the Quilting
Quilting Update: still working on Stitching in the Ditch
Working on the Free-Motion Sections
Free-Motion Update
More quilting {and unpicking} a year later, with updated quilt label
Finished Quilting in Each of the Blocks
Quilting in the Sashings
Finished and Ready to be Blocked
Blocked but Not Dry

Yeah. It's been one epic quilt in the making.

Today's post brought to you by:

Just Ignore the Warnings. There isn't Malware Here. Really. I Promise. Also, 40 Before 40 Update

How am I going to live today in order to create the tomorrow I'm committed to? –Anthony Robbins

First things first. The malware warning is because the site that hosts my silly emoticons possibly has malware. It is highly doubtful that there is malware embedded in the little dudes. At any rate, I haven't been attacked and just to be safe I removed the main offender, so we should be good now.

Also, I know I promised photos of the completed Pinwheel Sampler, but it's not dry yet. I'm not sure why it's taking so long. We'll just have to make due with a photo of it pinned to the living room floor. Also, blocking a quilt is the most odious task on the planet. I almost gave up on it and threw the quilt in the dryer. I'm glad now that I didn't, but at midnight last night with just under half of the quilt left to go, I was seriously considering it.

Since my planned post has been rescheduled, filling in today is my 40 Before 40 list. It is fun to look back on all I had planned for this year. Looking at it ojectively, this list is for someone who does not work full-time sometimes and part-time most of the time. With only four more months to go, I made a few adjustments.

I crossed 8 things off the list that I've either missed out on or realistically don't have time to do.

I've checked 12 things off the list as finished.

4 things on the list are in progress. Mornings and I are, if not friends, allies.

7 things are still definitely going to happen.

I've adjusted some things to make them fit better and I'm still considering whether I want to do others. I reserve the right to cross them off the list. And I reserve the right to not do 40 things. The whole reason for the list was to expand my horizons, to improve myself and to make time to have fun. There are lots of things that I didn't include on my list because they were difficult to frame into a single thing to put on a list. But I've done a few of those kinds of things. And there's one thing that I did kind of on a whim, that should have been on the list had I thought of it beforehand. I think it deserves mentioning here.

I joined a bowling league and every Wednesday morning I bowl three games with a really cute group of ladies. Most of them are older than me. Most of them have grandchildren. My team captain has great-grandchildren. And she bowls a mean game. There are sponsors and competitions and prizes, but it's a handicap league, so it's mostly no pressure and I go just to have fun. I bowled a 125 scratch {actual score, handicap not figured in} {also, look at me already using the lingo} yesterday. It was pretty awesome.

Every time I think about bowling, I think about this Camper Van Beethoven song from 1985. I've had this earworm for three weeks now, so I thought I'd share.

Random Bits: Vol. 3

Dream in a pragmatic way. –Aldous Huxley

The Quilt is in the Wash
It is finished. The pinwheel sampler is done. I put the last stitches in it yesterday. Finally.

I finished the binding ages ago. I was really on a roll with the quilting before Grandma Week and only had a little bit left {relatively speaking} to do in the sashing {16 sections out of 40} when Grandma Week started. I knew that lugging Grace along to my mom's to finish the quilting wasn't really an option, so I put the binding on before we left and during our sit-around-and-visit adult time after the kids had gone to bed, I did the hand stitching on it. But when we got back, I kind of procrastinated finishing the quilting because I wasn't really sure where to go once it was done.

This quilt was originally intended for snuggling under to read, or watch TV, or whatever. I'd still like it to be a snuggle quilt, but it seems like it isn't quite suited for that anymore. When the plan for the quilting became more elaborate than straight-lines ¼" on either side of every seam, I wanted to put the quilt into a quilt show or two. But I didn't get it finished in time last year. Or this year. And now I'm hoping I'll have something else even better to put in next year, and this quilt won't even be a contender.

Whether the quilt is going to be displayed or used, I knew it definitely needed a good washing. The sticking spot was whether to block it {for quilt shows} after it was washed or throw it in the dryer and make it all soft and crinkly {for cuddling}.

I finished it last night with enough time to wash it before bedtime and then throw it in the dryer and let it do its thing while I slept, but I wasn't certain what I wanted to do. After much thought, I decided this afternoon that I really want this quilt to be soft and snuggly, so I threw it in the washer in clear water {the instructions for the Blue Line Eraser that I used to remove my markings recommends that you run it through clear water before using any kind of detergent on it to avoid any discoloration} and when I pulled it out to spot treat it {it got some schmutz on it from my machine} before the actual wash, I noticed that the quilt was really not square anymore. It finished up so nice and square {gold star for me}, and wet, it was sort of curly and wrinkly. I decided that square {and a little bit stiff} was more important than soft and cuddly.

The quilt is in the wash now. When it finishes, I'm going to block it. Tomorrow, after it has had time to dry, I will photograph it and post it for your viewing pleasure {"oohhhhs" and "aahhhs" requested but not required }.

In other related news, I got my Connecting Threads catalog in the mail yesterday. It was very timely as they've just released some cute little tags that say, This took FOREVER. I thought seriously about ordering some for this quilt.

The iOSes vs. The Kitchen Appliances: Revisited
I'm still at loose ends about whether to get an iPhone, an iPad or a new oven. I thought I had it all sorted out, but the iPhone 5 was announced {effectively making even the iPhone 4S users obsolete }, our shopping trip for a new oven was a bust, and instead we found a wide-by-side-fridge-with-a-pull-out-freezer-drawer that not only has all the whistles and bells, but is so palatial you could climb right up inside it and live in there. I'm honestly not sure why we didn't bring it home with us. Oh, wait. The fridge seems to be working for now and it's an oven that we need. That's right.

In the interest of being well-informed, I did a little research on the iPhone. My current carrier now offers service for the iPhone 4S. They do not require contracts but the trade-off for that is no discounts on a new phone or phone upgrade. You have to pay for the phone up front. Their least expensive service plan is $35.00, which includes 300 talk minutes, unlimited texting and unlimited data. It is as simple and straightforward as that. The cost of the iPhone {$650}, plus monthly service for a two-year period {no contract required} comes in at a hair under $1500, before tax. They are currently offering a $5 per month discount if you sign up for auto-pay, which shaves another $120 off the total cost.

I was only able to find plan pricing for iPhones on one of the two major carriers, which leads me to assume that at least one of them has prices so astronomical that they lock you into a two-year contract before they show you the bill. The other carrier had iPhones starting at $199 {with a two-year contract} and talk, text and data plans starting at $80 a month. This includes 450 talk minutes, unlimited texting and 300MB of data {which is small potatoes, people}. Over the course of two years, the cost is just over $2100. For their largest data plan {5GB}, we're talking $2800 for two years.

OK, so my happiness does not depend on having the newest toy. If it did, the day they announced the iPhone 5 would have been a dark day, indeed. But I'm saying, buying the iPhone outright is money ahead. As a matter of fact, you could buy two phones, if say, they release a new iPhone after a year, and still come out ahead.

While it would be seriously awesome to download all of the heavy, heavy books I lug to church every Sunday into a nifty new iOS {and as Pink suggested, store the heavy books in the empty, broken oven}, looking at the bigger picture, Mr. Bug and I are going shopping for ovens again. Perhaps we'll be able to find P.'s idea of the most practical multi-tasking hybrid oven, with wireless capabilities and a flat screen. Our favorite outlet center is offering an additional 10% off clearance prices this weekend, which means that we could get a $700 oven for $375. I like the sound of that, even if it doesn't surf the net. And maybe the fridge will come home with us too.

Firebolt
These people obviously have too much time on their hands.

*Note: click on the "CC" button to turn the captions on/off. It is funnier if you play it with the captions on.

Also, the taxidermied animal in the glass case at 2:24 is a liger. Her name is Shasta, and she was born in 1948 at Utah's own Hogle Zoo. At her death in 1972, the beloved animal was displayed in the cat house until they deemed that she would be more appropriately kept at the Bean Museum on BYU Campus.

Pinwheel Sampler: Quilting Inspired by . . .

To be creative, you need to be able to view things in new ways or from a different perspective. Among other things, you need to be able to generate new possibilities or new alternatives. Tests of creativity measure not only the number of alternatives that people can generate but the uniqueness of those alternatives. The ability to generate alternatives or to see things uniquely does not occur by change; it is linked to other, more fundamental qualities of thinking, such as flexibility, tolerance of ambiguity or unpredictability, and the enjoyment of things heretofore unknown. –Robert E. Franken, Human Motivation, 3rd ed.

A long time ago I read a story about a future where government experts could detect a person's talents shortly after birth. Only those who had extraordinary gifts were allowed to create. They were removed from society where they were encouraged to develop their talents free from the influence of the work other artists. The story follows a man who had prodigious musical talent. From childhood he lived with his caregiver in a secluded cabin in the woods, and his companion ensured that he was never exposed to any music created by anyone but himself.

The man grew curious and somehow procured a piece of Beethoven's work, unbeknownst to his caregiver. He listened to the music, enjoying it immensely. However, as soon as he had finished, he knew that he could not use what he heard in Beethoven's music in his own. His music became inhibited as he avoided those chords and combinations he had heard in the great composer's work, and eventually his transgression was discovered. For his crime, he was forbidden to ever play music again and he was returned to normal society.

Years later, he entered a bar where an forlorn piano sat in the corner. The temptation was too much. The man could not resist. To the shock of the occupants of the bar, he sat down and began to play, producing the most beautiful and harmonious music from the dilapidated and out-of-tune instrument. It was not long before government officials came to deliver justice to this man who had twice broken the law. His punishment was swift and irrevocable; they cut off his fingers. Surely this would prevent him from breaking the law again.

He was assigned to work on a road crew. Without fingers, he couldn't do much, except for hold a sign. He began to hear rhythms in the world around him and again began to make music, this time without an instrument. He used what was around him, beating out beautiful rhythms and melodies. The officials again came quickly to silence the law-breaker, this time taking his life.

I can't remember what this story was called or who wrote it, but I have vivid mental pictures of it. I may have gotten the ending a little confused, but this story has stuck with me for a long time. I've been thinking a lot about creativity in the last little while. Sewfrench posted about it earlier this month, and since then I've been thinking about how I create.

Once upon a time, I thought I was not creative. I thought that a lack of original ideas made me not creative. In the quote above, which I borrowed from Sewfrench's post on this subject, it says that being creative means looking at things from a different perspective and being able to generate new possibilities or new alternatives. To be honest, I don't think there are any new ideas left. It's all been said and done. But that doesn't mean there aren't creative people.

Think about it this way; using a pattern to make an item of clothing is not considered as an uncreative endeavor. You get to choose the fabrics, colors and perhaps make an alteration or two and you make it your own. Even if you choose the very same colors as shown on the pattern, you’ve still created something that was not in existence before. And nobody says, “well, you used a pattern so you’re not creative.” You can apply the same line of thinking to using a recipe when cooking. Why shouldn't that also be the case with quilt making or gardening or writing? Just because you saw it somewhere else doesn’t mean you’re not creative. And why re-invent the wheel every time, anyway? I consider myself to be very creative, but hardly ever come up with a project from nothing. I almost always see something that inspires me and then make it my own.

I'm plugging away at my pinwheel sampler quilt. I'm SO close to finishing it I can taste it. I have 16 {out of 40} sections of sashing left to quilt and I will be there. This quilt has been so much fun to work on. I don't know if I will ever do such a detailed quilting job again, but it is good to know I can. Since I started machine quilting, I have been watching other quilters who do beautiful work and they have inspired me. I've incorporated a lot of that in my quilt. I've used ideas from Wendy at Ivory Spring, Natalia at Piece 'n Quilt, Leah at The Free Motion Quilting Project, Karen McTavish and Lane at That Man Quilts.

More than a year ago, Lane did a quilt he called West of Paris, Texas. I was absolutely in awe of the spiraling or twisting feathers he did. I was in the planning stages for this quilt and was going to do a sort-of braid in the sashings, but when I saw Lane's feathers I knew that's what I wanted to do. This is the last bit of quilting left on my quilt. I left it for last because, while it is completely awesome, it is also scary. This is my second section. The feathers are not uniform and it looks a bit pinched.

It took me probably five or six more sections to get comfortable enough to know how to fill the space evenly and make the feathers more uniform, but I think I'm finally there.

I'm grateful to those, named and unnamed, who inspired me!

Today's post brought to you by:

Pinwheel Sampler: I'm Finished Unpicking. I Think.

Be brave. Take risks. Nothing can substitute experience.
–Paulo Coelho

My quilt label is once again out-of-date, but I've finally got the quilting done in all of the pinwheel blocks.

This is the first time I've shown the whole quilt top. Just to balance it out, here is the back. I LOVE the windmills along the seam.

I took these pictures on Monday and Tuesday of last week but didn't have a chance to write a post. I finally had a few minutes on Saturday and with the goal of keeping things short and sweet, I spent way to much time editing photos and putting together the above collage. I was going to post just that and call it done, but I started writing, I figured I might as well give you the full guided tour. Obviously, it's a really long tour as I'm just posting it now. And there's a bit of picture overload. Off we go, then.

Block 1A: A little bit of stippling, a few swirls and some pebbles. I wasn't sure how this block was going to turn out. Unpicking was involved so I could do the swirls in colors of thread that stand out better in the pink and brown sections. I think the pebbles done in pink look kind of lacy.

Block 1B: More swirls and pebbles and a big flower which I really like. I didn't care much for this block before it was quilted, but really like it now.

I hadn't planned to add a second row of stitching around the pebbles, but while I was working, it just seemed like that's what it needed. It kind of frames it in.

Block 2A: I was really leaning towards unpicking the swirls in the sashing, but finally decided that I'm OK with having some supercalifragilisticexpialidocious swirls and some supercraptastic swirls and used the Blue Line Eraser to remove my spacing marks. I think I'm done unpicking. Or, at least I'm not going to unpick anything in this block.

Block 2B: This block is one of the first blocks I finished when I was working on this quilt a year ago. It's been quietly avoiding the seam ripper and is one of only a handful of blocks that hasn't been unpicked even just a little. Or a lot, as the case may be.

Block 3A: I finished this block last year as well. This is one of my favorite blocks pre-quilting, but I didn't like how the doodle quilting in the background looked. My options were to unpick and use a lighter color of thread, or add more quilting. I went with the second option and ended up with a lot of thread-play in a color of thread that stands out. I'm not sure how I feel about it. And I don't really have the option to unpick anymore, so I guess it stays.

Block 3B: Again, one of my favorite blocks pre-quilting. And one of the first blocks I worked on last year. I'd just mastered meandering feathers and really wanted to do a wreath. I'd intended to do feathers on the inside and outside, but saw a feather wreath like this somewhere and decided to do criss-crossing straight lines instead. I used a walking foot for that and it was a hassle. But I LOVE how it turned out.

I did an approximation of McTavashing in the background. I probably should have brushed up on it before I did it in the quilt, because I remembered it differently than it really is. At this scale, my stitches aren't as even as they could be. Still, I really like the effect.

Block 4A: I am still undecided on whether to unpick the feathers in those pink triangles in the center. I think it would look better if the thread stood out a little more. I decided to try the straight-line quilting with my free-motion foot on this block. It was scary, but not too bad for a first attempt. And it was a lot less of a hassle than using a walking foot, which makes up for the scary factor.

Block 4B: This is another block that I like more after it is quilted than before. The quilting is fairly simple, but I think it works. I love the feather "swags" in the pink flying geese. You can't see it, but there are feathers in the brown part of the pinwheel as well. I also did the straight-line quilting on this block with the free-motion foot. Still scary, but I did improve a bit from the last block.

Block 5A: This block is another of my favorites, both before and after quilting. I've repeated a few quilting motifs throughout the quilt, but tried to do different things in each block to make them all unique. I really like to do fans or half-flowers in the triangles. I did feathers in the brown section {which you cannot see} that stretch from the corner to corner across the length of each section. They kind of look like kite tails.

I love those little loopy swirls.

Block 5B: I did half-flowers in the smaller center triangles and then did different leaves in the big pink triangles and the brown sections. I really like how the leaves came out. They are kind of rough, but that is how they are supposed to be, instead of trying to be pretty and round and smooth and not quite succeeding.

I used the leaves that we did in the 2012 Free-Motion Challenge in January as filler for the background. The leaves in the background and half-flowers in the center pinwheel are round and smooth and make a nice contrast with the the rougher leaves in the pink and brown areas.

Block 6A: I really like how this block turned out. The dark fabrics are really difficult to photograph so that you can see the quilting. I guess you'll have to trust me when I tell you there are feathers there. Getting the curlicues to come out smoothly in a larger space than I've quilted them in before was a bit challenging, and I possibly didn't do the best job ever on that part. I'm hoping the awesome pink fabric will make up for that. The swirl filler in the background is quite possibly my favorite bit of quilting in this whole quilt, but I can't be 100% sure. I love how it came out, though.

Block 6B: These two Dutchman's Puzzle blocks were the hardest blocks to figure out quilting for. I think it was because I wanted the pinwheel in the center and the large windmill to stand out and the extra flying geese blocks in the corners were kind of in the way. The quilting in this one is pretty simple, but I like the effect.

Again, I used my free-motion foot to do the straight-line quilting. I'm still working on this and not all of my straight-line quilting is this even, but this little section is pretty darn awesome and I had to show it off.

Block 7A: I should quit using the word "favorite" because it implies exclusivity. I'm not sure what other word to use in it's place though and this is another of blocks that is a favorite, both before and after quilting. It was one of the first blocks I finished last year. I used a walking foot for the straight lines and I love how it came out. I had the curlicues stitched in a light pink that blended in, but ended up unpicking and using the darker pink, which I like much better.

Block 7B: This quilt is called In the Pink: A Study in Pinwheels. Even though I have doubles of all the blocks, I wanted to quilt something different in each one. I wanted to stretch myself a bit and I wanted the quilting to accent the piecing. It is fun to compare the different quilting in each of the sets of twin blocks. The difference the quilting makes in the perception of the block is especially evident in this set of twins. In the block below, the quilting emphasizes the three frames around the center pinwheel and you see both the pink and white pinwheels together as a block. The quilting in the block above makes the pink pinwheel stand out and emphasizes only the brown frame.

Block 8A: The loopy half-flower and swirl filler in the background is something different in this block than the others, but I've repeated half-feathers, feather "swags" and flowers.

Block 8B: Again, nothing really new here; arcs, fans, half-feathers. Something about the straight line quilting in the background that frames out the on-point squares makes me think "80's." Is that just me, or does anyone else get that vibe?

I just have the quilting in the sashings left. I'm doing feathers. The finish line is in sight. Sort of.

Today's post brought to you by:

In the Pink: Revisited or, Will Someone Please Take Away My Seam Ripper!

I want to be all that I am capable of becoming. –Katherine Mansfield

When last I posted about my pinwheel sampler quilt, I had three {of sixteen} blocks quilted. It's been almost a year since I folded it up and put it away, but two weeks ago I got it out and started working on it in hopes of entering it in the last of the quilt shows for this season. The entry deadline is this Saturday. I'm not going to make it. I'm spending too much time unpicking.

I started with the label. It said I'd finished the quilt in July of 2011. I've changed the date {with the back already quilted on} using a really-close-but-not-quite-the-same thread and actually have hopes of finishing this quilt before the label becomes outdated again.

Out of the three blocks I finished last summer, there was one that I left alone. You can see it here. I fiddled around with the other two. On this one, I didn't like what I'd done in the background so I added more to it. Lane always says that if the quilting looks bad, just keep adding more until you like it. I'm not sure if I've made it better or a real mess. For now, I'm pretending it is great because unpicking that will be nigh unto impossible. I might as well cut the block off the quilt and sew a new one in its place.

After that, I got cozy with the seam ripper on the last of the previously finished blocks. Two hours to unpick the curlicues in the pink pinwheel; 15 minutes to quilt the same design in a different color of thread . {Sidebar: the quilting in this block totally reminds me of the jacket that Princess Leia wore on the Hoth ice planet in The Empire Strikes Back.}

Then I started in on some of the partially quilted blocks. I had the swirls done on this block. I finished it up, and then promptly ripped out the quilting in the pink & brown pinwheels because I used matching thread and I wanted the quilting to show. I've left the marks for the swirls because I still haven't decided if I'm going to rip those out and do them over in the same color of thread they're done in now. I like the color of thread, but some of the swirls are supercalifragilisticexpialidocious and some of them are just supercraptastic. {Sidebar: I got some Blue Line Eraser to remove the blue ink because it's been on there for over a year. Love it!}

This is the block I'm working on right now. After I finish the pebbles in the last section of the pinwheel, I'm probably going to rip out the quilting in the pink portion of the pinwheel and put it back in using the darker pink thread. {Sidebar: I'm using AURIfil Makò 50-weight thread in #2311 Eggshell, #2314 Medium Beige, #2360 Warm Brown, #2437 Medium Pink and #2440 Azalea.} I may also rip out the quilting in the brown flying geese and do something else entirely. I'll have to see once I've got the pink re-stitched and the background filler in.

I really like how the leaves came out in this block. I tweaked the contrast so you could see the quilting, which makes this a really horrible picture. I'm on the fence about ripping this out too. I think I'll probably leave it . . .

Here's another bit of quilting that blends in with the fabric too much but that will probably not get ripped out. I'm not sure exactly what the deciding factor is on ripping and re-quilting in a thread that shows better. Sometimes I can just see in my head that it needs to be one way or the other. And sometimes the density of the quilting just tells me that there's no point even trying to rip it out. Too bad I don't always know before I quilt.

This was one of the times where the quilting told me not to even try. On a whim, I used pink thread to quilt the pebbles in the light portion of the pinwheel. After I finished the first one {bottom right} I hated it, but I knew there was nothing to do but move forward. There was no way I was getting all those tiny stitches out. After I finished the pebbles, I ripped out the swirls quilted in dark brown thread in the brown pinwheel and re-quilted them in light brown. I liked the block a whole lot better. Then I went and stuffed it up with uneven stippling in the outer background.

On a positive note, I actually like how this block finished, with the thread all matching. I think it works like this. Mostly.

And I absolutely love how the little 3" pinwheel corner stones turned out. They are all different colors, but are all quilted alike. {Sidebar: I don't think I've ever shown the entire quilt top. The most you've ever seen is a quarter section of it together and my quilting doodles. I guess I'm waiting for a big reveal, because at this point I'm not sure if it is going to come out as fantastically as I envision it. You'll have to trust me [and I'll have to trust myself] that it is going to be awesome when it's done.}

Out of everything I've worked on in the last two weeks, I think this block is my absolute favorite. The only thing done on this was the stitching-in-the-ditch so there was no need to rip anything out . I'd planned to only do flower petals in the pink part of the center pinwheel, but after I finished them I knew it would look really good to do them in the white part too. It just makes me happy to look at it.

{Sidebar: this post has a lot of sidebars.}

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